Powerful Imagery and Themes in The Killer Angels Essay -- Killer Angel

In The Killer Angels, Michael Shaara fictionally illustrates the historic facts of the battle at Gettysburg. Shaara gives action and words to characters of another time, and then places these players on the stage of this great battle. through the use of powerful biblical and non-biblical imaginativeness and themes the epic nature of the battle at Gettysburg and its characters are enhanced. Such tomography and themes, combined with Shaaras fictionalization, help to contribute to why this single battle holds such(prenominal) monumental significance and influence upon the lives of Americans over a century withdraw from its occurrence. In the Foreword, before the battle begins, Shaara starts with a list of the principle players in the upcoming tragic drama of the battle at Gettysburg. Like in a program to a stage play, the armies and the characters are listed before they retain the stage. As the curtain opens, the first actor who appears on this stage is the colleagu e spy, Harrison, who is actually an actor by profession. by dint of this solitary and seemingly peanut man, the reader is plightn backstage to witness the drama unfold in person. Upon meeting General Robert E. Lee, the spy worshipped (Shaara 14) Lee as he spoke to the General. Although this behavior of the spy may seem rather excessive, it is legitimate with the attendant troops attitude towards Lee. To the Confederates, the Civil War was a type of set apart War (Shaara 67) and Lee was like God the Father leading them in the Cause. (Shaara 361) Indeed, even to General Longstreet, Lees second-in-command, Lee had taken the place of God. (Shaara 134) Through the use of biblical imaginativeness and themes, the epic proportions of the battle at Ge... ...that what has been forget always be a part of what remains. It is doubtful that the curtain leave ever close on Gettysburg. Works Cited John. Serendipity Bible for Groups New global Version. 3rd ed. Ed. Lyman Col eman. Grand Rapids, Michigan Zondervan Publishing House, 1998. 1416-1474. Luke. Serendipity Bible for Groups New outside(a) Version. 3rd ed. Ed. Lyman Coleman. Grand Rapids, Michigan Zondervan Publishing House, 1998. 1416-1474. Matthew. Serendipity Bible for Groups New outside(a) Version. 3rd ed. Ed. Lyman Coleman. Grand Rapids, Michigan Zondervan Publishing House, 1998. 1326-1377. Shaara, Michael. The Killer Angels. New York Ballantine Books, 1996. Thoreau, atomic number 1 David. Walden. The Heath Anthology of American Literature. Ed. Paul Lauter. Boston Houghton Mifflin Company, 1998. 2107-2141. Powerful Imagery and Themes in The Killer Angels Essay -- Killer Angel In The Killer Angels, Michael Shaara fictionally illustrates the historical facts of the battle at Gettysburg. Shaara gives action and words to characters of another time, and then places these players on the stage of this great battle. Through the use of powerful biblical and non-bibli cal imaging and themes the epic nature of the battle at Gettysburg and its characters are enhanced. Such imagery and themes, combined with Shaaras fictionalization, help to contribute to why this single battle holds such monumental significance and influence upon the lives of Americans over a century upstage from its occurrence. In the Foreword, before the battle begins, Shaara starts with a list of the principle players in the upcoming tragic drama of the battle at Gettysburg. Like in a program to a stage play, the armies and the characters are listed before they take the stage. As the curtain opens, the first actor who appears on this stage is the Confederate spy, Harrison, who is actually an actor by profession. Through this solitary and seemingly insignificant man, the reader is taken backstage to witness the drama unfold in person. Upon meeting General Robert E. Lee, the spy worshipped (Shaara 14) Lee as he spoke to the General. Although this behavior of the spy m ay seem rather excessive, it is unvarying with the Confederate troops attitude towards Lee. To the Confederates, the Civil War was a type of hallowed War (Shaara 67) and Lee was like God the Father leading them in the Cause. (Shaara 361) Indeed, even to General Longstreet, Lees second-in-command, Lee had taken the place of God. (Shaara 134) Through the use of biblical imagery and themes, the epic proportions of the battle at Ge... ...that what has been bequeath always be a part of what remains. It is doubtful that the curtain forget ever close on Gettysburg. Works Cited John. Serendipity Bible for Groups New global Version. 3rd ed. Ed. Lyman Coleman. Grand Rapids, Michigan Zondervan Publishing House, 1998. 1416-1474. Luke. Serendipity Bible for Groups New multinational Version. 3rd ed. Ed. Lyman Coleman. Grand Rapids, Michigan Zondervan Publishing House, 1998. 1416-1474. Matthew. Serendipity Bible for Groups New international Version. 3rd ed. Ed. Lyman Colema n. Grand Rapids, Michigan Zondervan Publishing House, 1998. 1326-1377. Shaara, Michael. The Killer Angels. New York Ballantine Books, 1996. Thoreau, henry David. Walden. The Heath Anthology of American Literature. Ed. Paul Lauter. Boston Houghton Mifflin Company, 1998. 2107-2141.